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If this is what you want to do, use the [GNU Lesser General Public License](http://www.gnu.org/licenses/lgpl.html) instead of this License. {"id":17507,"date":"2025-08-20T13:11:22","date_gmt":"2025-08-20T13:11:22","guid":{"rendered":"http:\/\/dev.teal-server.com\/iremodel\/?p=17507"},"modified":"2025-08-20T18:28:21","modified_gmt":"2025-08-20T18:28:21","slug":"audrey-tutu-i-have-simple-dreams-4","status":"publish","type":"post","link":"http:\/\/dev.teal-server.com\/iremodel\/2025\/08\/20\/audrey-tutu-i-have-simple-dreams-4\/","title":{"rendered":"audrey-tutu-i-have-simple-dreams-4"},"content":{"rendered":"

Audrey Tutu: “Eu tenho sonhos simples”<\/h1>\n

Ela se tornou uma maneira coletivamente de feminilidade moderna e, ao mesmo tempo, afirma estar longe do romance. \u00c9 considerado um s\u00edmbolo da sofistica\u00e7\u00e3o francesa, mas se orgulha de sua franqueza e praticidade. Encontrando -se com Audrey Totu, convencido de que uma fada \u00e9 uma profiss\u00e3o.<\/p>\n

“Que engra\u00e7ado!” – voc\u00ea pensa, observando -a na tela. Afinal, ela tem um presente c\u00f4mico, ela \u00e9 uma palha\u00e7ada e at\u00e9 em sua miseric\u00f3rdia incondicional, h\u00e1 algo com\u00e9dia.<\/p>\n

\u201cQue s\u00e9rio!” – Voc\u00ea est\u00e1 surpreso ao se encontrar com ela. Afinal, seu rosto de boneco \u00e9 estritamente. Seus olhos Bambi s\u00e3o atenciosos e exigentes. Seus gestos s\u00e3o disciplinados. Suas m\u00e3os sem manicure n\u00e3o se permitem nenhum movimentos extras. Ela raramente sorri, e se ela sorri, \u00e9 de alguma forma t\u00edmida, parece que seu sorriso n\u00e3o estar\u00e1 no lugar. Possui uma longa saia de lona e botas pesadas-uma feminilidade fr\u00e1gil que cria sua tela exclusiva, como se fosse enrolada em um rolo puro e enviado para uma despensa distante da antiga casa francesa. Ela se senta em uma mesa em um caf\u00e9 em uma periferia silenciosa de Paris, onde concordamos em nos encontrar, e tira seus \u00f3culos de camuflagem e preto e bumbum de algod\u00e3o preto. Tira uma c\u00e2mera simples de um carro de bolsa grande. Ah, sim, o agente dela me avisou: Audrey tira fotos de seus entrevistadores como lembran\u00e7a. Os entrevistadores s\u00e3o mais interessantes para suas entrevistas, isso \u00e9 definitivamente. \u00c9 por isso que ela diz, mal olhando para: \u201cTalvez esta entrevista n\u00e3o seja necess\u00e1ria, mas? Voc\u00ea sabe, n\u00e3o tenho circunst\u00e2ncias especiais de vida, apenas opini\u00f5es … ou seja, eventos que algu\u00e9m estaria interessado em saber sobre mim n\u00e3o aconteceu comigo. N\u00e3o tenho nada a dizer sobre mim. Eu geralmente vivo e com seguran\u00e7a. Talvez at\u00e9 muito bem. Eu sou algum tipo de europeia m\u00e9dia e desinteressante … \u201de agora ela sorri aqui. N\u00e3o \u00e9 coquete, de jeito nenhum, pelo contr\u00e1rio – abertamente, desarmando. Audrey Toto claramente me avisa sobre o pr\u00f3prio tipo de personalidade: ela \u00e9 uma jovem da Europa no in\u00edcio do terceiro mil\u00eanio, ela \u00e9 s\u00f3bria, honesta, direta. Ela fala pura e rapidamente em ingl\u00eas, nesta “linguagem do globalismo”. Em seu mundo, tudo tem sido resolvido h\u00e1 muito tempo, tudo ocupa seu nicho na propriedade e na hierarquia social, nela, bem -estar -\u00e9 comum, mulheres e homens s\u00e3o iguais, n\u00e3o \u00e9 costume demonstrar sucessos ou fracassos. E \u00e9 por isso que neste mundo uma flor t\u00e3o maravilhosa e paradoxal – c\u00f4mica e feminilidade, charme e palha\u00e7o – parece um estrangeiro. Ela diz que n\u00e3o tem nada a contar sobre si mesma, porque n\u00e3o tem certeza de que deve contar. \u00c9 pessoal dela em uma ordem mundial p\u00fablica totalmente equipada apropriada? Pergunta para Audrey Toto Open. E voc\u00ea deve admitir, h\u00e1 algo triste nisso. O fato de a estrela de cinema de uma nova gera\u00e7\u00e3o, a garota \u00e9 ador\u00e1vel e se tornou um s\u00edmbolo de tudo em franc\u00eas requintado e ousado, n\u00e3o tem certeza de que ela mesma \u00e9 interessante para algu\u00e9m. Este t\u00f3pico custa, na minha opini\u00e3o, uma discuss\u00e3o separada.<\/p>\n

Psicologias:<\/strong> Depois de Amelie, voc\u00ea se tornou um tipo de s\u00edmbolo da Fran\u00e7a. Ent\u00e3o eles a representaram para ela no sucesso de bilheteria de Hollywood “Da Vinci C\u00f3digo”. Como \u00e9 ser um s\u00edmbolo?<\/p>\n

Audrey Toto:<\/strong> No come\u00e7o – ent\u00e3o -so. N\u00e3o \u00e9 que eu tenha ficado assustado quando todo esse haste de popularidade inesperada caiu sobre mim, quando voc\u00ea \u00e9 reconhecido, sussurrando o metr\u00f4 atr\u00e1s do meu ombro, parece uma fera ex\u00f3tica em um zool\u00f3gico, tome um aut\u00f3grafo em vez de trazer uma salada … eu n\u00e3o esperava isso, ent\u00e3o n\u00e3o experimentei um medo, mas um choque. Agora eu cheguei a um acordo. Eu tive que abandonar pequenas liberdades – para sentar em um caf\u00e9 na rua, ir ao meu restaurante favorito e simples na minha pra\u00e7a de Pigal, embora eu more no mesmo lugar que Ambiasa e Coda, em meu antigo apartamento. Eu s\u00f3 tinha medo de que o sucesso me cercado de pessoas, porque as estrelas – elas sabem, quase inconscientemente colocavam um tipo de filtro entre si e os outros … mas era mais importante que Amelie fosse necess\u00e1ria para as pessoas. \u00c9 mais importante para minha liberdade de andar sem \u00f3culos e boinas pretos.<\/p>\n

Por que voc\u00ea acha que Amelie era t\u00e3o necess\u00e1rio? Porque ela \u00e9 uma fada que controla suas vidas?<\/p>\n

\u201cEu duvido a mim mesmo a cada minuto. Mas a d\u00favida de si \u00e9 exatamente o que nos desenvolve. N\u00e3o \u00e9 assim?”<\/p><\/blockquote>\n

SOBRE. T.:<\/strong> Porque ela \u00e9 https:\/\/portuguesafarmacia.com\/viagra-generica-comprar\/<\/a> um pouco falsa, porque \u00e9 uma falsa com Montmartre – uma regi\u00e3o negra t\u00e3o real, suja, um distrito de trabalhadores que carregam o esp\u00edrito da democracia francesa, independentemente da cor da pele. Porque ela \u00e9 uma feiticeira infeliz … mas voc\u00ea sabe, o principal \u00e9 porque temos todas as pessoas, a imagina\u00e7\u00e3o \u00e9 mal desenvolvida. Precisamos apontar para a fada com um dedo como Jean-Pierre fez isso (esposa, diretora do filme “Amelie”. – aprox. Ed.) para que fiquemos surpresos e admirados. Enquanto isso, a fada \u00e9 uma profiss\u00e3o. Empregada dom\u00e9stica no hotel, um zelador – eles s\u00e3o invis\u00edveis, mas controlam uma parte importante de nossa vida. Aquele que elabora a programa\u00e7\u00e3o do trem no metr\u00f4 – ele tamb\u00e9m \u00e9 invis\u00edvel, fazendo boas a\u00e7\u00f5es. \u00c0s vezes entro em um hotel no banheiro e penso em quem essa mulher, que rasgou tudo assim. Provavelmente, africano. Ela provavelmente tem filhos. E essas crian\u00e7as podem ter permanecido na \u00c1frica, em Mo\u00e7ambique, por exemplo. Ela os deixou para ganhar dinheiro. E os chama, e se preocupa com eles. E tudo isso para estar aqui na Europa, ser uma fada para mim. Entendo isso, \u00e9 uma taxa para “Famia” ..<\/p>\n

SOBRE. T.:<\/strong> S\u00f3 n\u00e3o – eu apenas tento olhar para tr\u00e1s da fachada! Veja o que est\u00e1 escondido nos bastidores. Meus pais sempre insistiam: voc\u00ea precisa entender o que est\u00e1 acontecendo ao seu redor. Sempre, em todas as circunst\u00e2ncias. Eles me ensinaram a ficar de p\u00e9. Nesse sentido, eu realmente “condensado” de franc\u00eas – em mim, pragmatismo e normas de comportamento na vida s\u00e3o muito fortes em mim: sempre trabalho, n\u00e3o espere por uma recompensa, seja honesto, constante em sentimentos, n\u00e3o para se entregar \u00e0s minhas fraquezas. Isso est\u00e1 no meu sangue. Pense por si mesmo: sou criado em uma fam\u00edlia de dentista, este \u00e9 meu pai e m\u00e3e-professores, al\u00e9m disso, cem por cento franc\u00eas. Posso ser diferente? A frase mais lembrada da inf\u00e2ncia – M\u00e3e: “Audrey, endireite -se”. Mam\u00e3. E certo. Mesquita \u00e9 um personagem. As costas retas s\u00e3o um testamento. Eu, mesmo acreditando em Deus, n\u00e3o confio nele. Eu moro a mim mesmo. Todas as minhas fadas v\u00e3o trabalhar e obter um sal\u00e1rio. Mas s\u00e9rio … depois de Amelie, minha irm\u00e3 e eu fomos para a Indon\u00e9sia. Eu viajei um pouco mais cedo, mas depois vi genu\u00edno ex\u00f3tico. Acabou sendo especialmente ex\u00f3tico para mim como as pessoas experimentam o aterrorizante, do nosso ponto de vista, pobreza l\u00e1. Eu vivo muito bem para n\u00e3o sentir responsabilidade por isso.<\/p>\n

Talvez constantemente sinta a responsabilidade por voc\u00ea porque voc\u00ea era o mais velho de uma fam\u00edlia com quatro filhos?<\/p>\n

SOBRE. T.:<\/strong> Talvez sim. Eu era o mais velho, e foi que foi a pr\u00f3pria natureza que atribuiu uma responsabilidade para mim – pelo menos eu n\u00e3o deveria criar problemas para meus pais. N\u00e3o houve escolha – sentir essa responsabilidade ou n\u00e3o, porque eu consegui o papel do mais velho por nascimento.<\/p>\n

E a falta de liberdade nesse sentido n\u00e3o sentiu?<\/p>\n

SOBRE. T.:<\/strong> Isso \u00e9 estranho – eu nunca me sinto sem liberdade, porque sempre insisto em gr\u00e1tis. A necessidade de liberdade \u00e9 minha principal necessidade. Talvez seja por isso que o mais pr\u00f3ximo de mim das minhas hero\u00ednas \u00e9 Chanel de Coco a Chanel. Essa mulher cem anos atr\u00e1s, quando n\u00e3o havia sequer a pr\u00f3pria id\u00e9ia de liberdade de escolha feminina, insistiu em sua independ\u00eancia. Ela se recusou a cumprir as funda\u00e7\u00f5es p\u00fablicas, conven\u00e7\u00f5es. E, tendo lan\u00e7ado seu talento, atrav\u00e9s da moda, atrav\u00e9s de roupas, uma coisa t\u00e3o superficial, come\u00e7ou a libertar outras mulheres! Depois de oferecer uma mulher para experimentar uma fantasia masculina, ela mostrou a ela que voc\u00ea pode experimentar o mundo masculino, o mundo dos neg\u00f3cios e a independ\u00eancia! \u00c9 incr\u00edvel, voc\u00ea n\u00e3o encontra? E era do pragmatismo-due ao fato de que Chanel era mais f\u00e1cil de corresponder a si mesma, e n\u00e3o aos c\u00e2nones externos-ela fez um avan\u00e7o t\u00e3o inovador. Aprecio o pragmatismo, mesmo t\u00e3o peculiar na apar\u00eancia. E assim que eu cair na euforia, a vida imediatamente me d\u00e1 no meu nariz.<\/p>\n

E como s\u00e3o esses golpes no nariz?<\/p>\n

SOBRE. T.:<\/strong> Comic, como regra, est\u00e1 bem. O mais indicativo – quando me formei na escola. Eu sempre quis ser atriz, mas papai e m\u00e3e me convenceram a entrar no Philfak: voc\u00ea tem que obter uma educa\u00e7\u00e3o normal!<\/p>\n

Eu concordei. Mas no final da escola, meus pais me deram uma assinatura para participar de cursos teatrais em Paris. Apenas algumas semanas, mas em Paris em si! E ent\u00e3o minha m\u00e3e e eu vamos, n\u00e3o tenho dezoito anos, estou encantado com tudo. E especialmente de quantos mulheres mais bonitas e charmosas v\u00e3o onde moramos. Loiras altas e irresist\u00edveis, n\u00e3o como eu – uma altura de 160 cm e alguns olhos! E eu acho: Paris \u00e9 a capital de tudo perfeito, porque h\u00e1 tantas mulheres incr\u00edveis! E eu vivo com essa ideia, e com um sotaque desagrad\u00e1vel: o que posso contar quando h\u00e1 tanta beleza feminina … e somente no final dos meus cursos, de repente descobri que moro ao lado de tr\u00eas ag\u00eancias de modelagem! E, portanto, os modelos passam pelas ruas aqui! Isso foi um choque!<\/p>\n

Seu aumento do senso de responsabilidade n\u00e3o interfere nas rela\u00e7\u00f5es com o sexo oposto?<\/p>\n

SOBRE. T.:<\/strong> Normalmente, n\u00e3o estou falando de vida pessoal, porque quero manter alguma liberdade depois de mim … pelo menos aqui … Veja, n\u00e3o \u00e9 minha responsabilidade, mas que eu mesmo sou em certo sentido … garoto. Eu gosto de assistir rugby e futebol na TV. Eu dirijo um carro como um homem. \u00c9 mais f\u00e1cil para mim fazer o que planejar e discutir planos. Agrade\u00e7o mais experi\u00eancia cotidiana do que arte. Estou falando sobre sexo. Eu estava quase indiferente \u00e0s roupas-senti algum gosto apenas recentemente, quando meu trabalho come\u00e7ou a se aproximar do neg\u00f3cio da moda: o papel de Chanel, eu sou Chanel No. 5. Mas ainda assim nunca vou comprar roupas caras – \u00e9 apenas uma pena … eu n\u00e3o preciso ser protegido. E eu nunca recorrer a todas essas t\u00e1ticas de sedu\u00e7\u00e3o. Eu sou bastante direto e pr\u00e1tico. \u00c0s vezes interfere. Afinal, de fato, os homens s\u00e3o rom\u00e2nticos que as mulheres. Eles acreditam no papel prescrito pela natureza para representantes de diferentes sexos.<\/p>\n

E voc\u00ea acredita em seus pap\u00e9is, coloque -se no lugar de suas hero\u00ednas? Poderia amar uma pessoa idosa, como sua jovem hero\u00edna no “sal\u00e3o de beleza” V\u00eanus “?<\/p>\n

SOBRE. T.:<\/strong> Estou longe da introspec\u00e7\u00e3o e as hero\u00ednas n\u00e3o tentam em mim mesmo. Mas eu gosto dessas pessoas em V\u00eanus. Ele viu nela n\u00e3o uma boneca de um cabeleireiro, n\u00e3o um est\u00e1gio, n\u00e3o uma jovem em busca de um parceiro e apoio. Ele a viu nela, apenas ela, sem nenhuma fun\u00e7\u00e3o e contexto social. E ela viu nele n\u00e3o um cliente rico e n\u00e3o um cont\u00eainer em potencial. Ou seja, ele, com sua sede de vida. Se eu conseguir ver uma pessoa, ele mesmo, e apenas ele, os diferentes incessivos t\u00eam um assunto – idade, lugar na sociedade?<\/p>\n

E voc\u00ea acredita no casamento?<\/p>\n

SOBRE. T.:<\/strong> Mas eu n\u00e3o sou casado. Tirar conclus\u00f5es.<\/p>\n

E no amor sem fim que n\u00e3o depende do tempo e dos testes, como o seu Matilda em um “longo engajamento”?<\/p>\n","protected":false},"excerpt":{"rendered":"

Audrey Tutu: “Eu tenho sonhos simples” Ela se tornou uma maneira coletivamente de feminilidade moderna e, ao mesmo tempo, afirma estar longe do romance. \u00c9 considerado um s\u00edmbolo da sofistica\u00e7\u00e3o francesa, mas se orgulha de sua franqueza e praticidade. Encontrando -se com Audrey Totu, convencido de que uma fada \u00e9 uma profiss\u00e3o. “Que engra\u00e7ado!” – …<\/p>\n

audrey-tutu-i-have-simple-dreams-4<\/span> Read More »<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[838],"tags":[],"_links":{"self":[{"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/posts\/17507"}],"collection":[{"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/comments?post=17507"}],"version-history":[{"count":1,"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/posts\/17507\/revisions"}],"predecessor-version":[{"id":17508,"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/posts\/17507\/revisions\/17508"}],"wp:attachment":[{"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/media?parent=17507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/categories?post=17507"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/dev.teal-server.com\/iremodel\/wp-json\/wp\/v2\/tags?post=17507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}