### WordPress - Web publishing software
Copyright 2011-2019 by the contributors
This program is free software; you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program; if not, write to the Free Software
Foundation, Inc., 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA
This program incorporates work covered by the following copyright and
permission notices:
b2 is (c) 2001, 2002 Michel Valdrighi - m@tidakada.com -
http://tidakada.com
Wherever third party code has been used, credit has been given in the code's
comments.
b2 is released under the GPL
and
WordPress - Web publishing software
Copyright 2003-2010 by the contributors
WordPress is released under the GPL
---
### GNU GENERAL PUBLIC LICENSE
Version 2, June 1991
Copyright (C) 1989, 1991 Free Software Foundation, Inc.
51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA
Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.
### Preamble
The licenses for most software are designed to take away your freedom
to share and change it. By contrast, the GNU General Public License is
intended to guarantee your freedom to share and change free
software--to make sure the software is free for all its users. This
General Public License applies to most of the Free Software
Foundation's software and to any other program whose authors commit to
using it. (Some other Free Software Foundation software is covered by
the GNU Lesser General Public License instead.) You can apply it to
your programs, too.
When we speak of free software, we are referring to freedom, not
price. Our General Public Licenses are designed to make sure that you
have the freedom to distribute copies of free software (and charge for
this service if you wish), that you receive source code or can get it
if you want it, that you can change the software or use pieces of it
in new free programs; and that you know you can do these things.
To protect your rights, we need to make restrictions that forbid
anyone to deny you these rights or to ask you to surrender the rights.
These restrictions translate to certain responsibilities for you if
you distribute copies of the software, or if you modify it.
For example, if you distribute copies of such a program, whether
gratis or for a fee, you must give the recipients all the rights that
you have. You must make sure that they, too, receive or can get the
source code. And you must show them these terms so they know their
rights.
We protect your rights with two steps: (1) copyright the software, and
(2) offer you this license which gives you legal permission to copy,
distribute and/or modify the software.
Also, for each author's protection and ours, we want to make certain
that everyone understands that there is no warranty for this free
software. If the software is modified by someone else and passed on,
we want its recipients to know that what they have is not the
original, so that any problems introduced by others will not reflect
on the original authors' reputations.
Finally, any free program is threatened constantly by software
patents. We wish to avoid the danger that redistributors of a free
program will individually obtain patent licenses, in effect making the
program proprietary. To prevent this, we have made it clear that any
patent must be licensed for everyone's free use or not licensed at
all.
The precise terms and conditions for copying, distribution and
modification follow.
### TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
**0.** This License applies to any program or other work which
contains a notice placed by the copyright holder saying it may be
distributed under the terms of this General Public License. The
"Program", below, refers to any such program or work, and a "work
based on the Program" means either the Program or any derivative work
under copyright law: that is to say, a work containing the Program or
a portion of it, either verbatim or with modifications and/or
translated into another language. (Hereinafter, translation is
included without limitation in the term "modification".) Each licensee
is addressed as "you".
Activities other than copying, distribution and modification are not
covered by this License; they are outside its scope. The act of
running the Program is not restricted, and the output from the Program
is covered only if its contents constitute a work based on the Program
(independent of having been made by running the Program). Whether that
is true depends on what the Program does.
**1.** You may copy and distribute verbatim copies of the Program's
source code as you receive it, in any medium, provided that you
conspicuously and appropriately publish on each copy an appropriate
copyright notice and disclaimer of warranty; keep intact all the
notices that refer to this License and to the absence of any warranty;
and give any other recipients of the Program a copy of this License
along with the Program.
You may charge a fee for the physical act of transferring a copy, and
you may at your option offer warranty protection in exchange for a
fee.
**2.** You may modify your copy or copies of the Program or any
portion of it, thus forming a work based on the Program, and copy and
distribute such modifications or work under the terms of Section 1
above, provided that you also meet all of these conditions:
**a)** You must cause the modified files to carry prominent notices
stating that you changed the files and the date of any change.
**b)** You must cause any work that you distribute or publish, that in
whole or in part contains or is derived from the Program or any part
thereof, to be licensed as a whole at no charge to all third parties
under the terms of this License.
**c)** If the modified program normally reads commands interactively
when run, you must cause it, when started running for such interactive
use in the most ordinary way, to print or display an announcement
including an appropriate copyright notice and a notice that there is
no warranty (or else, saying that you provide a warranty) and that
users may redistribute the program under these conditions, and telling
the user how to view a copy of this License. (Exception: if the
Program itself is interactive but does not normally print such an
announcement, your work based on the Program is not required to print
an announcement.)
These requirements apply to the modified work as a whole. If
identifiable sections of that work are not derived from the Program,
and can be reasonably considered independent and separate works in
themselves, then this License, and its terms, do not apply to those
sections when you distribute them as separate works. But when you
distribute the same sections as part of a whole which is a work based
on the Program, the distribution of the whole must be on the terms of
this License, whose permissions for other licensees extend to the
entire whole, and thus to each and every part regardless of who wrote
it.
Thus, it is not the intent of this section to claim rights or contest
your rights to work written entirely by you; rather, the intent is to
exercise the right to control the distribution of derivative or
collective works based on the Program.
In addition, mere aggregation of another work not based on the Program
with the Program (or with a work based on the Program) on a volume of
a storage or distribution medium does not bring the other work under
the scope of this License.
**3.** You may copy and distribute the Program (or a work based on it,
under Section 2) in object code or executable form under the terms of
Sections 1 and 2 above provided that you also do one of the following:
**a)** Accompany it with the complete corresponding machine-readable
source code, which must be distributed under the terms of Sections 1
and 2 above on a medium customarily used for software interchange; or,
**b)** Accompany it with a written offer, valid for at least three
years, to give any third party, for a charge no more than your cost of
physically performing source distribution, a complete machine-readable
copy of the corresponding source code, to be distributed under the
terms of Sections 1 and 2 above on a medium customarily used for
software interchange; or,
**c)** Accompany it with the information you received as to the offer
to distribute corresponding source code. (This alternative is allowed
only for noncommercial distribution and only if you received the
program in object code or executable form with such an offer, in
accord with Subsection b above.)
The source code for a work means the preferred form of the work for
making modifications to it. For an executable work, complete source
code means all the source code for all modules it contains, plus any
associated interface definition files, plus the scripts used to
control compilation and installation of the executable. However, as a
special exception, the source code distributed need not include
anything that is normally distributed (in either source or binary
form) with the major components (compiler, kernel, and so on) of the
operating system on which the executable runs, unless that component
itself accompanies the executable.
If distribution of executable or object code is made by offering
access to copy from a designated place, then offering equivalent
access to copy the source code from the same place counts as
distribution of the source code, even though third parties are not
compelled to copy the source along with the object code.
**4.** You may not copy, modify, sublicense, or distribute the Program
except as expressly provided under this License. Any attempt otherwise
to copy, modify, sublicense or distribute the Program is void, and
will automatically terminate your rights under this License. However,
parties who have received copies, or rights, from you under this
License will not have their licenses terminated so long as such
parties remain in full compliance.
**5.** You are not required to accept this License, since you have not
signed it. However, nothing else grants you permission to modify or
distribute the Program or its derivative works. These actions are
prohibited by law if you do not accept this License. Therefore, by
modifying or distributing the Program (or any work based on the
Program), you indicate your acceptance of this License to do so, and
all its terms and conditions for copying, distributing or modifying
the Program or works based on it.
**6.** Each time you redistribute the Program (or any work based on
the Program), the recipient automatically receives a license from the
original licensor to copy, distribute or modify the Program subject to
these terms and conditions. You may not impose any further
restrictions on the recipients' exercise of the rights granted herein.
You are not responsible for enforcing compliance by third parties to
this License.
**7.** If, as a consequence of a court judgment or allegation of
patent infringement or for any other reason (not limited to patent
issues), conditions are imposed on you (whether by court order,
agreement or otherwise) that contradict the conditions of this
License, they do not excuse you from the conditions of this License.
If you cannot distribute so as to satisfy simultaneously your
obligations under this License and any other pertinent obligations,
then as a consequence you may not distribute the Program at all. For
example, if a patent license would not permit royalty-free
redistribution of the Program by all those who receive copies directly
or indirectly through you, then the only way you could satisfy both it
and this License would be to refrain entirely from distribution of the
Program.
If any portion of this section is held invalid or unenforceable under
any particular circumstance, the balance of the section is intended to
apply and the section as a whole is intended to apply in other
circumstances.
It is not the purpose of this section to induce you to infringe any
patents or other property right claims or to contest validity of any
such claims; this section has the sole purpose of protecting the
integrity of the free software distribution system, which is
implemented by public license practices. Many people have made
generous contributions to the wide range of software distributed
through that system in reliance on consistent application of that
system; it is up to the author/donor to decide if he or she is willing
to distribute software through any other system and a licensee cannot
impose that choice.
This section is intended to make thoroughly clear what is believed to
be a consequence of the rest of this License.
**8.** If the distribution and/or use of the Program is restricted in
certain countries either by patents or by copyrighted interfaces, the
original copyright holder who places the Program under this License
may add an explicit geographical distribution limitation excluding
those countries, so that distribution is permitted only in or among
countries not thus excluded. In such case, this License incorporates
the limitation as if written in the body of this License.
**9.** The Free Software Foundation may publish revised and/or new
versions of the General Public License from time to time. Such new
versions will be similar in spirit to the present version, but may
differ in detail to address new problems or concerns.
Each version is given a distinguishing version number. If the Program
specifies a version number of this License which applies to it and
"any later version", you have the option of following the terms and
conditions either of that version or of any later version published by
the Free Software Foundation. If the Program does not specify a
version number of this License, you may choose any version ever
published by the Free Software Foundation.
**10.** If you wish to incorporate parts of the Program into other
free programs whose distribution conditions are different, write to
the author to ask for permission. For software which is copyrighted by
the Free Software Foundation, write to the Free Software Foundation;
we sometimes make exceptions for this. Our decision will be guided by
the two goals of preserving the free status of all derivatives of our
free software and of promoting the sharing and reuse of software
generally.
**NO WARRANTY**
**11.** BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO
WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW.
EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR
OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY
KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE
PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME
THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
**12.** IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN
WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY
AND/OR REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU
FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR
CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE
PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING
RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A
FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF
SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH
DAMAGES.
### END OF TERMS AND CONDITIONS
### How to Apply These Terms to Your New Programs
If you develop a new program, and you want it to be of the greatest
possible use to the public, the best way to achieve this is to make it
free software which everyone can redistribute and change under these
terms.
To do so, attach the following notices to the program. It is safest to
attach them to the start of each source file to most effectively
convey the exclusion of warranty; and each file should have at least
the "copyright" line and a pointer to where the full notice is found.
one line to give the program's name and an idea of what it does.
Copyright (C) yyyy name of author
This program is free software; you can redistribute it and/or
modify it under the terms of the GNU General Public License
as published by the Free Software Foundation; either version 2
of the License, or (at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program; if not, write to the Free Software
Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA.
Also add information on how to contact you by electronic and paper
mail.
If the program is interactive, make it output a short notice like this
when it starts in an interactive mode:
Gnomovision version 69, Copyright (C) year name of author
Gnomovision comes with ABSOLUTELY NO WARRANTY; for details
type `show w'. This is free software, and you are welcome
to redistribute it under certain conditions; type `show c'
for details.
The hypothetical commands \`show w' and \`show c' should show the
appropriate parts of the General Public License. Of course, the
commands you use may be called something other than \`show w' and
\`show c'; they could even be mouse-clicks or menu items--whatever
suits your program.
You should also get your employer (if you work as a programmer) or
your school, if any, to sign a "copyright disclaimer" for the program,
if necessary. Here is a sample; alter the names:
Yoyodyne, Inc., hereby disclaims all copyright
interest in the program `Gnomovision'
(which makes passes at compilers) written
by James Hacker.
signature of Ty Coon, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program
into proprietary programs. If your program is a subroutine library,
you may consider it more useful to permit linking proprietary
applications with the library. If this is what you want to do, use the
[GNU Lesser General Public
License](http://www.gnu.org/licenses/lgpl.html) instead of this
License.
Remember how Carroll during the tea party Alice inadvertently noticed that you can somehow “kill time” in a different way, and not drive teas all day? Then, due to such a formulation of the question, the crazy hatchman was seriously so worried. Imagine in what direction and at what speed he would have gone the roof, if he had seen a wild number of ways to pass the time that is now.
“Light” flash games can probably be called the ideal way to fill out free minutes at the workplace. For my not very long work, I noticed representatives of all specializations and ages behind this occupation.
These simple programs from the moment of creating to today have managed to form a lot of directions, genres and even hits. Stick-Games can definitely be ranked to them. It would seem: the animation is simple, like an ax, sometimes 2-4 colors are used in the whole game. But hell, how funny these little men run, jump, cut and shoot at each other.
Sticks against terror
Sierra 7 – Creation of Simon Hason Design. In her piggy bank, except for the hero of our story today, the Tactical Assassin series. Permanent visitors to the site Armorgames.COM will definitely understand what we are talking about. I strongly recommend the rest.
The game is made in the genre of the first -person shooter. Yes, I assure you, everything is in an adult way: the machine gun on the right, sight, health indicator and even the number of remaining cartridges and medicines. The plot is as simple as it is allowed for such a product. We act as a beginner of a sort of megacular special forces (such as Task Force 141 from MW2, if you want), designed to fight terrorism. For 6 offered missions (in addition to one compulsory training) we have to pass through the most “golden places”: the secret house of Ira militants in Ireland, the captured hotel in Morocco, the occupied embassy, the base of the militants in Kosovo (where without it). This will end with a funny run of Mogadisho.
No need to explain that the super -task of all missions is the same: sew the bad guys. But the finale is everywhere. So, at the embassy, we will need to just shoot terrorists in a second and prevent the hostages from killing. And in Kosovo-to get into the hand of a general, so that he would not bear his brains. Roughly speaking, there is no storyline, like the main villain or something like that, which, in general, upsets.
But the gameplay on Somalia will not end. https://nongambancasinos.co.uk/review/spins-heaven/ In addition to the campaign, the game provides for Challenges mode. There you can check your rifle skills. Namely: sniper mode, shooting from a pistol, a machine gun, shooting from a machine gun at long distances and shooting opponents “before the loss of pulse”. In each such separate section you are accrued glasses. In general, they do not affect anything – the necessary objects will open to you during the campaign, but there is still a competitive moment.
As mentioned above, we play in the first person. Of course, you can’t run along the corridors yourself, you just move from cleaning one angle/room/sector to another. But both hands will still be needed for the game. After all, in addition to the firing, it will be necessary to knock out the doors, blow them up, put on PNV, switch the fire mode and something else. Yes, all this in Sierra 7 is present, and not for a checkmark. The process will dilute such chips as the descent along the rope with the shooting of adversaries through the windows, as well as hunting with a sniper.
A few words must be said about this separately. Unfortunately, there will be only one mission. But, again, I repeat, you can pamper with her and at the training ground. The main difficulty here is the accounting of the force of the wind and the range of the shot. As a lighthouse you will only have a flag in the corner. It’s a pity only, the game itself will prompt the order of elimination of objects. An extra puzzle would not hurt here.
From the very beginning of the three complexity modes, you can choose only two. The third – Elite – will open after passing the main part. You can’t call this formality: on it you will disappear a scale with ammunition, the sight will become more complicated. Will have to count shots yourself. And there will be more enemies and they will shoot better.
Although they do it well. Armed with pistols and automatic machines, thin black little men know how to hide around the corner and stick out only hand. And the hits are very sensitive. Fortunately, as a rule, an accurate shot to the head for them is usually enough.
The game itself for the first time remembers your computer and you need nothing to re -free. The levels provide checkpoints. But do not flatter yourself: after your death, the location of the opponents changes.
For the successful passage of missions, as well as for different achievements like one hundred percent accuracy, games using only one store, lack of wounds, you will be different nishtyaki. True, do not wait for them, like the manna of heavenly. Additional medical pills will help, yes. But the fasting vest will only give additional horns, although any level with proper accuracy can be passed by making shots 30 maximum.
The main thing is that new machines and pistols will open along the way, which will make the game more interesting and even more fun.
Guns of magnificent seven
We will dwell on the trunks a little more, it’s worth it. By the end of the game in your arsenal, almost all samples of small arms used today by various special units will be. Among the pistols, this is Glock, and Sig Sauer P228, and Colt, and H&K MK. 23 (among the people – juice, like a Snake in MGS), and USP. Among the main weapons: MP5, including a member version, two M4, one of which is also equipped with a suppresser, G36C and AK 47. Needless to say, he opens before the mission in Kosovo? We will also be given to run with two shotgun and the special version of the M60 machine gun, but they are more likely to entertain. It is more comfortable to shoot enemies with the help of M4 or AK.
The minus is that it is impossible to improve these samples. There is no additional equipment, firing range, slaughter – all this cannot be increased.
In addition to real names, the samples themselves are perfectly drawn and voiced. They also did not forget about the characteristics. M4, as always, is exactly spitting, the kalash is noisy, slaughter and jumps in the hand, the mp5 is good in BURST mode, but when shooting, it is not enough for solitary power. Players will also show beautiful still lifes with their favorite farts. Modestly and cute.
The voice acting is very, very pleasant. A rhythmic fraction plays the menu, before each mission, a briefing is a vote by a walkie -talkie with everyone who is pronouncing the mixture of entourage effects. Shooting, as already mentioned, sounds just like shooting.
Games like Sierra 7 have never been, and they should not have become something memorable, breakthrough. In the end, this is just a flash drive among the thousands. But, after all, such things are able to “drag out”. She is simple, yes. Not in terms of passing, but rather filling. But in this case, this is not particularly classified as disadvantages. The possibility of pumping weapons would look great in continuation, as happened in the case of Tactical Assassin, but something is not visible yet. As a result, the toy itself turned out to be interesting and elegant. Yes, attention to the little things and to the best of the serious approach make it such.
]]>The mysterious and mysteriously turned out that Littlebigplanet 2, one of the main platform miracles of recent years, was surprisingly successfully ignored by SGTV until now. To catch up, as well as indulge in the discussions about the fate of the genre on the live, will be Ivan Loev, Vasily Halperov, Leonid Davydov and Andrey Makoveev!
On Friday, the 13th bastards and bastards failed to turn to the fullest, but all the most juicy is still ahead. This time we will come to The glorious capital of China Shanghai, pl*t, where in cooperative mode we will begin to create lawlessness. Failes, whores and badger are attached. Prepare the photo jacks in advance.
The long-awaited return of Horror-Stamov! Andrei Artamokhin will try on https://independentcasinosites.co.uk/review/spins-heaven/ the old military uniform of Alex Shepard and go to Sheperds Glen in search of his younger brother, in which Gleb Meshcheryakov will act. The most controversial part of the series is replete with “boo” -mots and all evil spirits. Come, it will be scary.
In the era of multiplayer entertainment of all stripes and breeds, a primitive two-dimensional arcadu, it seems, is unlikely to be of any interest. Where are the battles of 2D cherries to large-scale hostilities from Battlefield 3 and super-dynamic battle from Team Fortress 2 and other network militants? However, the brave units of the invertebrates under the command of Gleb Meshcheryakov, Ivan Loev, Vasily Galperov and Andrei Makoveev will prove that even a straightforward game can deliver tons of fun. And along the way, we will discuss why the three -dimensional rebirth of Worms did not become a “cake”.
You have been waiting for a long time – and the moment has come! TEAM FORTRESS 2 grandiose TEAM Fortress 2! On Friday, the sky will be stained with a crimson blood spilled in the fields of the radiant dustbuol in the name of hats, glory, victory and again hats. The legendary clan of Konstantin Trostenyuk and Leonid Davydov (with the support of the useless Maxim Kulakov and Andrei Artamokhin), whose names no one already remembers, will give battle to the daredevils who quit his challenge and did not pity the whip for a chest with treasures ..
According to the results of the epic mess, we will choose a champion, a sun -sized warrior who glorified his team. It is he who will receive the stunning hard drive WD Elements Desktop. In addition, we will give the three best players of each of the opposing teams the new products from the Buka company – Sniper Elite V2 and Dirt Showdown. Also, absolutely any fighter can become the owner of something valuable of our magical chest with treasures.
If you want to take part in the tournament? Forward!
The theme of an alien invasion is the old and hackneyed so that now in this field it is very difficult to come up with something truly new and original. And we are not looking for anything like that – we crave nostalgia, pixels and step -by -step shootings. So, on the last Sunday of this hot July, Alexander will bark a special purpose for his command and will take to trample xenos in the mud in the legendary X-Com: UFO, and Ivan Loev will provide her with all possible support.
]]>A week ago, another animated series of the cartoon we loved all of us was released, and immediately after watching it, I decided to voice it immediately. Myself.
The voice acting stretched for minutes, hours .. Days! My body so accustomed to inaction forced To pump itself Sony Vegas, Sound Forge, Something third, so that the voice acting itself passes as it is appropriate, and with the corresponding programs.
Of course, my economic situation does not allow me to fork out to a more tolerable sound performed by all sorts of cool microphones there, the end to them and high -quality sound cards, for which forgive me. But after all I’m a homeless person, Still.
However, this does not mean that I approached the case completely irresponsible and fulfilled it like. No, I tried squeeze of all their means maximum. You have not seen such a bum!
Yes. Yes, you understand correctly. So that you do not hear spit and codes, your humble servant supplied his webcam with a built-in microphone (!) the coolest pop filter in the world! In fact, you just can’t find such a product with the best price/quality ratio!
I used this tube-shaped packaging when I helped my voice to my voice, leaving the telephone tube, that is, in segments, when our brave guys talked with Miss Polling on a retro shield.
And this friend was only my spiritual mentor. He did not allow the mouth to fall so much that I could not release this video.
And all of the above is done exclusively in the interests of the sound quality, and the savings of your hearing. Although, if your hearing is truly dear to you, then it is better to enlarge the volume before playing the video. Remember, this is my first voice acting.
Well, they figured it out. Now the turn of the pearl of this blog has come. You can look at it right now, but before (!) Read the following warning:
Attention, this video was created by a homeless person, which is why it has an exclusively appropriate quality. We strongly do not recommend expecting something a caresser from him, and it will also be better if you reduce the volume of your speakers, headphones or other sound reproduction, since the equipment from which the recording was made was far from the highest quality. However, software corrected this, but do not expect that completely. You are warned. Pleasant viewing!
Now I want to https://casinosnotongamcare.co.uk/review/slottio/ familiarize you with people to whom my freshlywill author’s voice acting owes my existence:
Evgeny Krylov.
The guy who just inspired me to voice.
This is where my gratitude to Evgeny Krylov, in general, ends.
Maxim Kulakov.
This type finally helped me, respect him. Well, where I just did not look for information about the leadership of Sound Forge! I could not find anything sensible, and was desperate. However, when Google gave me a link to Stopgame, I knew that it would end good and was not mistaken.
If anyone wants to follow in the footsteps by what I went, you, first of all, should look into these topics:
Stopgame.Ru/Blogs/Topic/485
Stopgame.Ru/Blogs/Topic/8040
Stopgame.Ru/Blogs/Topic/8503
Also pay your attention to the following video:
D3.Stopgame.Ru/Video/Soundforge.Tutorial.SGTV.HQ.MP4
This is where my gratitude to Maxim Kulakov is completed.
Brian Wind.
This dude is also not written here in vain. Thanks to him, you have heard a voice now Miss Powling from Telecephone 70s the way it should sound.
Thank you and not only on this, friend.
Vogusar
You are also involved in this. You yourself know why, but there is nothing to do with it anymore.
And still, thanks.
With my gratitude I will round.
Well, gentlemen, I hope you didn’t like at least one of the proposed today.
P.S. While STOPGAME is still being prepared, let’s estimate in the comments which of our authors of which of the heroes will be voiced. My guesses:
Scout – Maxim Solodilov
Soldier – Gleb Meshcheryakov
The arsonist is a subtiter person
Engineer – Gleb Meshcheryakov/Maxim Kulakov
Machine gunner – Maxim Kulakov
Blotter – Maxim Kulakov
Medic – Gleb Meshcheryakov
Sniper – Maxim Kulakov
Spy – Kirill Oreshkin
Miss Powling – Alexandra Kost
P.S.S.Criticism is strictly welcome.
___ strict criticism is greeted.
Well done. Everyone started with this. Well, in the sense, who was generally starting. True, the effect of the phone can be achieved with software. But over time, everything will be.
By the way, what kind of softwin do you use? Well, honestly, I would like to know about plans for the future, as you think, what your hobby will lead to you?
I use Sony Vegas 13, Sound Forge Pro 10… and that’s it, perhaps.
What will my hobby lead to me? Don’t know. This hobby must be maintained and developed if really want Far away with him somewhere. I took up him only a week ago, although I could have done this for two years, but this is another story. The main thing, in my opinion, has wish And act. I will really want what I am doing now, and not to take it away, but to pick yourself up and do it, you can go very far, but I can’t say where exactly, I can’t say it
in general, yet, more earlier I wanted to engage in machine and voice it myself, But then I completely I did not imagine how difficult it is to take and do what I planned in this kind. Even I devoted 9 days to this video, although I calculated 2 days from strength. Simple voice acting. Al-no, time-consuming is this business. But I, a little earlier, even wanted Season 3 Ventura brothers Substitute! : D
Well, good luck in your endeavors. The main thing is not to end, no matter how little feedback is. And what is difficult, so with experience will come. Everything comes with him, including routine.
Mmm … they say she is wildly cool and therefore I want to see it already in a normal translation. And here is uncertain) If the feedback is good, then you will be stirred to wait for the SG and look at yours: 3
]]>What does it seem to you when you hear “KrAZ”? Ready to vouch that such a thing is immediately seen huge Truck. More KamAZ and other meel, but still not so large to rarely see it on the road … or even next to the road. Since childhood, I wanted to sit behind the wheel of such a makhina. I remember that they even told me that some of the Krazov eats a liter of fuel per kilometer-it is so powerful … KrAZ was always the last argument in any dispute. He is like an optimus prime from transformers. And now the legendary horror of gas stations goes to the people – in the form of the game of the same name. Okay, let’s see. From childhood I want to ride a kraz.
Money, salons, purchases
Silence. KrAZ insidiously checks patience. A minute, five, twenty. Black mourning screen. At this stage, all those who are not worthy of the harsh male KrAZ are outlined at this stage. And you thought? Just in case, I will share a secret. Peasants – from a man. Click the “Escape” button, the darkness blows-smells, and then the menu will jump out. The glitch is not manifested by everyone, but these are only the first difficulties.
If your monitor is not strictly and severely square, but large -format, then Kraz brazenly and unceremoniously pull the image in the corners without shame and conscience. To attribute to the minuses the care of people with weak computers and monitors going into the haze. The rest will give a small recipe for happiness. Open the game folder, and then follow this path: Data \ Videosettings.SCR. Edit the Resolution line with a notebook. If you really need it, of course.
That’s all started – let’s go!
As befits any race of the Independentcasinosites.co.uk middle hand, if its developers did not burden its plot and some kind of logic, in Kraz There is an economic system. The game about this immediately tells us very joyfully – they say, blow to the store, buy our beautiful cars. All subsequent maintenance is also at your expense – so we are warned that the heavy car can be broken, and we will pay from our pockets. Money is, in general, it is already very good. One presence of them somehow amuses and pleases-a certain goal appears, although not specific at all, and there is no sense in it, but who does not want a lot of money? Old, beaten, but effective. Further.
Single campaign (this is usually Quick Race or seems to be written) on the move insidiously pleasing – cakes to you, not modes. At first, they say, go through the championship, and then you will roll. No problems. Moreover, the best trucks – prize – are opened only for total achievements on the competitive front.
Four arenas
The championship consists of five stages. There is no sense in this division, since already at the first stage we will try all four available modes. This is a banal sprint – we drive a ramp with oak rivals;trial-we are trying to go through the route full of any obstacles, without errors (and the same, but time is squeezing-this is a time trial);Trophy is such a very, very long trial, but you can’t use godly devices such as swans, we all pass on wheels.
Now briefly and harsh: what do we have? Three modes in which, in fact, should be chased with oneself. Why? I found out. Because even in the lowest permits wretched optimization kills fps. Models of trucks are pretty and worked out, but get them into the frame at least a little more than one – all, 15 fps. Sneezes, coughs, does not hold … does not hold anything, everything for himself, but rides. With brakes, with jerks, with a rattle – the game engine drains heavily to the finish line. Overtake the rivals quickly, since during these convulsions they usually roll over indecent distances.
We will bring all other modes under the line, all the same, the meaning in them is one. If we do not chase with opponents, then we go sternly on the same ugly stones in the grass, logs in mud, cobblestones in water. Each such ascent is torment. A realistically physical multi -ton four -axle truck is sorry to drop on a low pebble … or Kubaroma flies after conquering a gravel. Here, you know, to drop the boxes of matches from the stairs – the same effect. Somewhere I forgot here the quotes. And the tag of sarcasm.
The first trial takes about an hour and a half life time depending on the initial bent of the hands. Army truck that is super -sipping along any more often, from side to side on light off -road, and for this, penalty points are charged. The race lasts about ten minutes, then it turns out that the invisible opponents went better than us at times … and we will have to Start again. Honestly, you would see this article earlier, if not the first race of the first stage. Further, oddly enough, easier.
Taking number two – Poor gemple. The developers have eaten so many different causals into the game that the eyes are already scattering … Then you understand that these foolishness/infusion of tires on the go does not really affect anything. It’s most often or not for nothing, or not forbidden or not the winch itself,. Switch to reduced gear? For what? We already make our way normally on the sand, at least according to the rapids, at least by the sea of brown something. In this mass, the car is still getting stuck like a fly in … honey. And also here’s what – you can switch the drive from the full to the rear when it seems. And vice versa is also allowed. Cool, true? You could also add the air conditioner button. It is pressed – but no sense. But diversity. And there is something to dilute on the box. Joyful!
I do not want the reviewer to be considered the next throwing of any substances not intended for this. It can be seen that the developers could. But they did not. Moreover, even problems with the performance of the engine were solved shamefully, in the gathering. For that, we stigmatize – a stagnant simulator with a negligible letter “C” without physics eats more resources and loads longer than GTA 4, Dragon Age: Origins and Battlefield: Bad Company. This is regrettable, dear friends. And I love Kraza so much – without this inept advertising.
Pros: cute models;Krazov is a lot;a variety of tasks;expanse of the tracks.
Cons: weak optimization;discrimination of large -format monitors;identical landscapes;cloned obstacles on the tracks;stupid rivals;inaccurate physics;protracted or too complicated races.
Κανείς από εμάς δεν θα ευχηθούμε τις δοκιμές ζωής μας – τους κάνουν να υποφέρουν. Αλλά σε αυτές τις στιγμές μπορούμε να σκεφτούμε τη ζωή, υπερεκτιμούμε τις προηγούμενες αξίες, γίνονται σοφοί. Φυσικά, υπό την προϋπόθεση ότι ζούμε με νόημα μια κρίση.
Ακούμε αυτήν τη λέξη πολλές φορές την ημέρα και σε διαφορετικούς συνδυασμούς. Μπορούμε να μιλήσουμε για την οικονομική κατάσταση στη χώρα – ας πούμε, την «οικονομική κρίση» και για τις σχέσεις μας με παιδιά ή συναδέλφους – την «κρίση τριών ετών», την «κρίση των σχέσεων» και την εμπειρία της πικρίας της απώλειας – «προσωπικής κρίσης».
Οι κρίσεις είναι οι τραγικές περιόδους της ζωής μας, όταν γίνεται σαφές: όπως και πριν, δεν θα υπάρχει πλέον. Μας φαίνεται ότι όλη η ζωή έχει καταρρεύσει και τον πόνο και την αίσθηση της απώλειας – ό, τι παραμένει από το μερίδιό μας. Και είναι πολύ δύσκολο να πιστέψουμε ότι μπερδεύουμε σε αυτό.
Στην κινεζική γλώσσα, η λέξη “κρίση” αποτελείται από δύο ιερογλυφικά: “κίνδυνος” και “ευκαιρία” – έτσι η αρχαία πεποίθηση των αρχαίων έχει έρθει στην εποχή μας ότι σε κάθε προβληματική κατάσταση όχι μόνο την καταστροφή του παλαιού, αλλά και της δημιουργίας του νέου. Οι κρίσεις μας αναγκάζουν να γίνουμε διαφορετικοί, σύμφωνα με τη διάσημη φράση του Frederick Nietzsche: “Αυτό που δεν με σκοτώνει με κάνει ισχυρότερο”.
Καθένας από εμάς περνά μέσα από τις ονομασμένες κρίσεις ηλικίας, όταν ο συνηθισμένος κόσμος ανοικοδομείται, οι σχέσεις, η δική μας ψυχολογική εμφάνιση αλλάζουν, εμφανίζονται νέες έννοιες και στόχοι της ζωής.
Το πρώτο και το πιο σημαντικό από αυτά είναι η γέννηση. Η νέα ζωή είναι γεμάτη αβεβαιότητα: πολύ φωτεινό φως, πολύ κρύος αέρας, ο οποίος πρέπει να αναπνέει μόνος σας ..
“Στις πρώτες μέρες της ζωής, το παιδί χάνει μέχρι το 20% του βάρους του – τόσο πολύ ενέργεια απαιτεί να βιώσει την κρίση της γέννησης”, λέει ο διευθυντής της ψυχολόγου Tatyana. – Θα είναι σε θέση να αισθάνεται ασφαλής μόνο με την υποστήριξη της μητέρας του. Αν παίρνει το μωρό στην αγκαλιά της, τραγουδάει σε αυτόν, μιλάει σε αυτόν – με μια λέξη, επιβεβαιώνει συνεχώς την αγάπη της, μετά από μερικές εβδομάδες έχει ένα «σύμπλεγμα αναζωογόνησης».
Στη θέα του προσώπου ενός αγαπημένου, το παιδί παγώνει, στη συνέχεια χαμογελάει, αρχίζει να κινείται ενεργά, δείχνοντας με ολόκληρη τη φύση του πώς είναι ευτυχής για αυτή τη συνάντηση. Είναι αυτή η στιγμή που θεωρείται επιτυχής υπέρβαση της κρίσης.
Το παιδί αρχίζει να σχηματίζει βασική εμπιστοσύνη στον κόσμο, μεγαλώνει με την εμπιστοσύνη ότι οι άλλοι τον αγαπούν και δεν του επιθυμούν να βλάψει. Και η έλλειψη αγάπης οδηγεί σε ένα αίσθημα εσωτερικής κενότητας και απώλειας. Και με πολλούς τρόπους, εξαιτίας αυτού, υπάρχουν προβλήματα με τα οποία οι ενήλικες πηγαίνουν σε έναν ψυχοθεραπευτή.
Ένα άλλο στάδιο είναι η εφηβεία, πέντε έως έξι χρόνια της ζωής μας, από 11-12 έως 15-17 χρόνια, τα οποία βιώνουν πιο περίπλοκα από τα υπόλοιπα. Το σώμα και η εμφάνιση αλλάζουν, οι ορμονικές αλλαγές γεννούν νέες αισθήσεις και συναισθήματα. Οι γονείς κάνουν τους εφήβους υψηλές απαιτήσεις, αλλά επικοινωνούν μαζί τους όπως με μικρά παιδιά. Πρώτη αγάπη, ζήλια, προδοσία. Μια οδυνηρή αναζήτηση απαντήσεων στις ερωτήσεις “Ποιος είμαι εγώ?”,” Τι είμαι?«.
Εάν ο έφηβος δεν απάντησε στις κύριες ερωτήσεις σχετικά με τον εαυτό τους, θα επιστρέψουν μερικά χρόνια αργότερα και θα απαιτήσουν μια απάντηση ξανά
«Το καθήκον της μεταβατικής εποχής είναι να αποκτήσει κοινωνική και προσωπική ταυτότητα. Ο έφηβος πρέπει να καταλάβει ποιος είναι και ποια είναι η θέση του στη ζωή », εξηγεί ο ψυχοθεραπευτής Yuri Frolov. Οι γονείς δεν πρέπει να περιορίζουν τα παιδιά που μεγαλώνουν στην επιθυμία τους να δοκιμάσουν διαφορετικές μεθόδους συμπεριφοράς – μόνο ως αποτέλεσμα τέτοιων “δοκιμών” μπορείτε να βρείτε μια εσωτερική ράβδο.
Και ο υπάκουος, οι έφηβοι “χωρίς προβλήματα” έχουν τον κίνδυνο να επιβιώσουν σε μια μέση κρίση.
“Μια καλά γνωστή μέση κρίση είναι το αποτέλεσμα του γεγονότος ότι το εφηβικό στάδιο της ανάπτυξης δεν περάσει σωστά”, λέει ο ψυχολόγος Σεργκέι Στίναφ. – Εάν ο έφηβος δεν απάντησε στις κύριες ερωτήσεις για τον εαυτό τους, θα επιστρέψουν μετά από μερικά χρόνια και θα απαιτήσουν και πάλι μια απάντηση. Στην πραγματικότητα, μιλάμε για την καθυστερημένη κρίση της ανάπτυξης. Εκείνοι που αρχικά σκέφτονται για το νόημα της ζωής κάτω από 40 χρόνια και συνεχίζουν να σκέφτονται για αυτό το θέμα, μπορεί να μην είναι καθόλου “.
Στα 30-40, συνοψίζουμε τα πρώτα σοβαρά αποτελέσματα. Η εκπαιδευτική εμπειρία ελήφθη και αναπτύχθηκε. Στην οικογενειακή ζωή, οι κρίσεις που συνδέονται με την εξαφάνιση των πρώτων έντονων συναισθημάτων, η γέννηση και η ανατροφή των παιδιών ξεπερνούν ..
“Εάν, έως και 30 χρόνια, ένα άτομο εξακολουθεί να παίζει σχέσεις παιδιού-παιδιού, για παράδειγμα, εργάστηκε σε μια ειδικότητα που οι γονείς του επέβαλαν, στη συνέχεια, ανταλλάσσοντας μια τέταρτη δωδεκάδα, συχνά θέλει να κάνει μια ελεύθερη απόφαση-λαμβάνει μια δεύτερη εκπαίδευση, υπενθυμίζει τα συμφέροντα της νεολαίας”, λέει ο Yuri Frolov. “Ένα άτομο φαίνεται να μένει μόνος του μαζί του και αρχίζει να ψάχνει για το τι είναι σημαντικό γι ‘αυτόν.”.
Πολλοί αυτή τη στιγμή αλλάζουν ριζικά τη ζωή τους: ρίξτε μια οικογένεια, δοκιμάστε ένα άλλο επάγγελμα. “Έτσι προσπαθούμε σε ρόλους που δεν έδωσαν καμία σημασία στη νεολαία, αλλά ταυτόχρονα ζητάμε αγάπη και προσοχή”, συνεχίζει ο Yuri Frolov.
Η μέση ηλικία είναι η εποχή των υπαρξιακών, βασικών αναζητήσεων για την έννοια της ζωής του όταν ένα άτομο βιώνει εσωτερική διαφωνία. «Τι πραγματικά θέλω από τη ζωή?”,” Τι συνέβη στα όνειρα των παιδιών μου?”,” Θέλω να περάσω τις υπόλοιπες μέρες με το άτομο που είναι τώρα δίπλα μου?»Το πιο σημαντικό ερώτημα ακούγεται τρομακτικά:« Έχω αρκετό χρόνο?»Η μεσαία κρίση μας δίνει την ευκαιρία να ξεκινήσουμε μια νέα, κατά τη γνώμη μας, σωστή ζωή.
1. Μιλήστε με τους αγαπημένους ταδαλαφίλη αγορα σας. Δεν πρέπει να μοιάζει με οικογενειακό συμβούλιο: απλά μιλήστε μαζί τους για το τι σας βασανίζει τώρα.
2. Αναζητήστε βοήθεια στους επαγγελματίες. Ένας ψυχοθεραπευτής θα σας βοηθήσει να βρείτε τη δύναμη για να ξεπεράσετε μια δύσκολη περίοδο και να αρχίσετε να ζείτε μια νέα ζωή.
3. Μιλήστε με εκείνους που έχουν βιώσει ή βιώνουν κάτι παρόμοιο. Τα συναισθήματά σας είναι παρόμοια – αυτό μπορεί να φέρει ανακούφιση και, αν και για λίγο, να απαλλαγείτε από τη μοναξιά.
Βιώνουμε νέες αμφιβολίες και λύπη για τα λάθη μετά από 55 χρόνια: ασθένεια, ορμονική αναδιάρθρωση, αφήνοντας το σπίτι των ενηλίκων παιδιών.
“Εάν ένα άτομο καθ ‘όλη τη διάρκεια της ζωής του επέτρεψε στον εαυτό του να βιώσει ζωντανά συναισθήματα, έχτισε μια ιεραρχία αξιών για τον εαυτό του, τότε πλησιάζει το γήρας στους σοφούς”, είναι πεπεισμένη η Tatyana Afire. – και δεν κοιτάζει πίσω στο παρελθόν, αλλά με την αίσθηση ότι έκανε ό, τι μπορούσε, και δεν έχει τίποτα να μετανιώσει. Μπορεί να απολαύσει τη ζωή και να δοκιμάσει νέους ρόλους: να μάθει κάτι, να βιώσει αυτό που δεν επέτρεψε στον εαυτό του πριν “.
“Όταν έλαβα μια δεύτερη εκπαίδευση, ο Georgy Petrovich, ο οποίος ήταν 70 ετών, σπούδασε μαζί μας”, θυμάται η 34χρονη Diana. -πήγε στα μαθήματα με ευχαρίστηση, ανησυχώντας για τα τέσσερα στις εξετάσεις. Είμαι στην ευχάριστη θέση να μιλήσω γι ‘αυτόν – είναι κρίμα που όλοι οι ηλικιωμένοι δεν επιτρέπουν στον εαυτό τους να είναι μια πολυτέλεια να σπουδάσουν σε αυτή την ηλικία “.
Τα ώριμα χρόνια μπορούν να γίνουν το αποκορύφωμα της αυτο -πραγματοποίησης, η οποία δεν παρεμβαίνει πλέον στα καθημερινά προβλήματα και τα πάθη της νεολαίας. Εάν καταφέρετε να βρείτε το θάρρος να καταλάβετε ειλικρινά τον εαυτό σας, περιμένουμε εκπληκτικούς καρπούς σοφίας που μας φέρει αυτή η περίοδος. “Αλλά μόνο οι ανεξάρτητες αποφάσεις δίνουν μια αισιοδοξία ατόμου για να συνοψίσουμε τα αποτελέσματα”, λέει ο Yuri Frolov. – και στη συνέχεια σε γήρατος συνειδητοποιεί: η ζωή μου δεν είναι μια αλυσίδα χαμένων ευκαιριών και όχι ο χρόνος που ξοδεύεται μάταια. Αυτή είναι η ζωή μου!«
Οι κακοτυχίες εισβάλλουν στη ζωή μας, καταστρέφοντάς την, στερώντας τον νόημα. Ο θάνατος ή η προδοσία ενός αγαπημένου, έμπειρου βίας, τρομοκρατικής επίθεσης, καταστροφής, φυσικής καταστροφής … όλα αυτά είναι δοκιμές που δεν τραυματίστηκαν μόνο, αλλά θέτουν τα θεμέλια της ύπαρξής μας, αφήνοντας μόνο μία ερώτηση: “Πώς να ζήσετε τώρα?«
Η καταστροφή είναι πάντα απροσδόκητη και υποκειμενικά ανεξήγητη. Αυτό αναγκάζει να αντιληφθεί την απώλεια ως αμετάκλητη και ανεπανόρθωτη. “Αυτό το συναίσθημα είναι αφόρητο – ένα παράλογο ατύχημα, που μας στερεί για πάντα ένα ανεκτίμητο και απείρως ακριβό: παιδιά, γονείς, αγαπημένους”, εξηγεί ο ψυχοθεραπευτής Adolf Harash. – Ένα άτομο αισθάνεται την άσχημη, την αδικία του τι συνέβη, παράλογο πόνο, λαχτάρα, πικρία.
Το ίδιο συμβαίνει όταν χάσετε την υγεία, την αναπηρία, τους σοβαρούς τραυματισμούς. Και η απώλεια των υλικών τιμών – ένα σπίτι που καταστράφηκε από σεισμό, η ιδιοκτησία που καίγεται σε πυρκαγιά – γίνεται πηγή εμπειριών.
Αλλά είναι εκπληκτικό το γεγονός ότι στο κάτω μέρος της απελπισίας, ένα άτομο αποκαλύπτει την ικανότητα να κατανοεί τους χαμένους και στη συνέχεια η απώλεια δεν καταστρέφει, αλλά καταλαμβάνει μια συγκεκριμένη θέση στην εικόνα της ζωής του σήμερα. Και ακόμη και δίνει τη δύναμη και το νόημα.
«Επέζησα το ατύχημα του Τσερνομπίλ», υπενθυμίζει η 51χρονη Μαρία, «άφησε το σπίτι, όλα όσα ήταν μέσα σε αυτό. Και ήταν τότε που συνειδητοποίησα: δεν υπάρχει τίποτα που να σώζει μια βροχερή μέρα. Ήταν ήδη “.
Είναι δύσκολο να διαιρέσει τον πόνο της προσωπικής απώλειας με έναν άλλο, έτσι ένα άτομο κλείνει, πηγαίνει στον εαυτό του και βιώνει απώλεια ως θάνατο του. “Αλλά ο κόσμος παραμένει γύρω μας, και είναι ζωντανός”, λέει ο Adolf Harash. – Το άνοιγμα των ματιών του, ένα άτομο θα δει ότι δεν είναι μόνος, ότι υπάρχουν άνθρωποι που τον χρειάζονται, ο οποίος δεν είναι ξένος – απλά δεν το γνώριζε πριν από την καταστροφή.
Με κοινή εμπειρία τραυματισμού, απελευθερώνεται το δυναμικό της επικοινωνίας, η οποία δεν εμπλέκεται στη συνηθισμένη ζωή
Η Elizabeth, η οποία ήταν τότε 23 ετών, μαζί με άλλους κατοίκους του Pripyat, αφαιρέθηκε από τη μολυσμένη ζώνη.
“Πήραμε όλα τα ρούχα, δόθηκαν οι ίδιες γκρίζες ρόμπες”, θυμάται σήμερα. – Δεν ήξερα τι θα συμβεί αύριο. Αλλά είχαμε μια μεθυσμένη αίσθηση ενότητας: το βιώσαμε μαζί. Και έπειτα, όταν έλαβαν διαμερίσματα στο Κίεβο, ο γείτονάς μου άκουσε δυνατή μουσική τη νύχτα. Και δεν με ενοχλούσε, αντίθετα, σαν να είπε: Είσαι ζωντανός και ακούτε μουσική και έχετε έναν γείτονα “.
Η καταστροφή διαγράφει τα παρωχημένα συναισθήματα και προκαλεί ζωντανή, αλήθεια. “Σε τέτοιες στιγμές, ένα άτομο καταλαβαίνει πρώτα πόσο τυχερός ήταν ότι γεννήθηκε σε έναν άνθρωπο”, προσθέτει ο Adolf Harash. – Εκείνοι που έχουν βιώσει την ατυχία μαζί του, είτε πρόκειται για σεισμό είτε για τσουνάμι, αυτή τη στιγμή μπορούν να μετατραπούν σε συντρόφους, επειδή με μια κοινή εμπειρία τραυματισμού απελευθερώνεται το ανθρώπινο δυναμικό επικοινωνίας, που δεν χρησιμοποιείται στη συνηθισμένη ζωή.
Οι αξίες και οι ιδέες που φαινόταν οι κύριοι υποχωρούν στο παρασκήνιο. Η πρώτη βγαίνει η ζωή ως τέτοια. “Η καταστροφή φέρει αφύπνιση και απογοήτευση”, λέει ο Adolf Harash. – Είμαι ζωντανός μεταξύ των ζωντανών. Και δεν έχω περισσότερες εναλλακτικές λύσεις: Είμαι εγώ και κανένας άλλος, συμπίπτει με τον εαυτό μου.
Αισθανόμαστε αμηχανία δίπλα στη θλίψη κάποιου άλλου, σε μια συνομιλία συνήθως περνάμε γύρω από αυτό το θέμα από μια πλευρά, ακόμη και να αποφύγουμε την επικοινωνία-γιατί πρέπει να προσέχουμε να μην πούμε κάτι που μπορεί να βλάψει. Θέλουμε να βοηθήσουμε ένα άτομο, να ανακουφίσει τα δεινά του, αλλά συνήθως δεν ξέρουμε πώς να το κάνουμε καλύτερα.
Η πρώτη ώθηση είναι η παρουσίαση, ηρεμία, η προσοχή. Ωστόσο, σύμφωνα με τον ψυχοθεραπευτή Adolf Harash, ενεργώντας έτσι, πρώτα νοιάζουμε για τη δική μας ανάπαυση, γιατί θέλουμε να πνιγεί η αμηχανία, να εκπληρώσουμε ένα συγκεκριμένο καθήκον για το θρηνό: “Αν θέλετε να παρέχετε πραγματική, αποτελεσματική βοήθεια, δεν πρέπει να αποσπάσουμε ένα άτομο από τη θλίψη του και όχι την άνεση – είναι άχρηστη και άχρηστη και μπορεί να αντιληφθεί ως παρεξήγηση.
Πρέπει τουλάχιστον να είστε κοντά και αν αισθανθείτε τη δύναμη στον εαυτό σας – βοηθήστε τον να επικεντρωθεί στην απώλεια, να του δώσετε την ευκαιρία να μιλήσετε για όλα όσα είναι σημαντικά γι ‘αυτόν αυτή τη στιγμή και όσο χρειάζεται.
Στη ζωή του καθενός από εμάς υπήρχαν απώλειες, πόνος και απελπισία, έτσι τα λόγια ενός πένθους θα ανταποκρίνονται στην καρδιά σας. Εάν καταφέρετε να γίνετε πιο κοντά σε αυτόν και να ακούσετε, να συνειδητοποιήσετε, θα του δώσετε την ευκαιρία να μην είστε μόνοι, αλλά να επιβιώσετε μαζί σας τη θλίψη, να κατανοήσετε την απώλεια και να ζήσετε “.
Η απόφαση για το διαζύγιο, αφήνοντας την εργασία, μετακόμισε σε άλλη πόλη ή χώρα που συνήθως αποδεχόμαστε τον εαυτό μας. Αλλά για ένα, η απόλυση σημαίνει απελευθέρωση από ενοχλητικά καθήκοντα, και για την άλλη – προσωπική ήττα.
Κάποιος συνταξιοδοτήθηκε-και η ανάγνωση και η επικοινωνία με τα εγγόνια του προσβλέπουν, και ο άλλος αισθάνεται να πετάξει από τη ζωή. Υποφέρουμε συχνά … από τη δική μας επιλογή.
“Είχαμε δίδυμα, πουλήσαμε ένα διαμέρισμα και αγοράσαμε ένα σπίτι στα προάστια”, λέει ο 31χρονος Andrey. – Δεν ήξερα ότι θα ανησυχούσα γι ‘αυτό: λαχταρά στη Μόσχα, θυμωμένος που πρέπει να σηκωθώ νωρίς. Και πώς θα πιστεύω ότι άλλοι άνθρωποι ζουν στο διαμέρισμά μας – πονάει “.
Άγχος πράξεις απογοήτευση: Ένα άτομο απαλλάσσεται από την πίστη των παιδιών στην παντοδυναμία του, δέχεται την πραγματικότητα όπως είναι
“Είτε αυτό είτε αυτό το γεγονός θα γίνει μια εμπειρία κρίσης για εμάς”, λέει η Tatyana Afire, “εξαρτάται από το πώς εμείς οι ίδιοι αντιδρούμε στη δύσκολη στιγμή, ποιο θέμα είναι γι ‘αυτόν”. Έχοντας χωριστεί με κάποιον ή κάτι τέτοιο, αξίζει να θυμηθούμε ότι η προσκόλληση και η αγάπη είναι διαφορετικά πράγματα.
«Όταν φύγει η προσκόλληση, η αγάπη παραμένει», προσθέτει ο Adolf Harash. “Τότε η θλίψη γίνεται φωτεινή, και αυτό που διαλύσατε, γίνεται μέρος της ζωής, το οποίο είναι πάντα μαζί σας, ευχαριστεί και χρησιμεύει ως πηγή δύναμης”. Οι έμπειρες πράξεις άγχους απογοητεύουν: ένα άτομο απαλλάσσεται από την παιδική πίστη στην παντοδυναμία του, δέχεται την πραγματικότητα όπως είναι και συνειδητοποιεί ότι η ζωή του δεν είναι αιώνια. Και σύμφωνα με τον υπαρξιακό ψυχοθεραπευτή Irwin Yaloma, είναι η σκέψη του θανάτου που μας δίνει τη δύναμη της ζωής.
“Η κρίση είναι σαν ένας ψηλός τοίχος”, λέει ο Adolf Harash. “Φαίνεται ανυπέρβλητη, αλλά αν αγωνίζεστε να ξεπεράσετε, να ανεβείτε, να σκάψετε και να κάνετε λάθος, τότε θα δείτε μια νέα έκταση”.
Οποιαδήποτε κατάσταση ζωής πρέπει να εξεταστεί στην ανάπτυξή της, συμβουλεύει έναν ψυχοθεραπευτή που ηγετικές ομάδες ανάπτυξης προσωπικής κατάρτισης και κύριας τάξης για ψυχολόγους Adolf Harash.
Ψυχολογίες: Γιατί φοβόμαστε τόσο τις κρίσεις?
Adolf Harash: Επειδή βλέπουμε μόνο κινδύνους σε αυτά, αλλά δεν παρατηρούμε τις δυνατότητες. Μια κρίση είναι ένα εντελώς συνηθισμένο πράγμα και κάθε κατάσταση ζωής μπορεί να είναι προ -κρίση. Μην φοβάστε το μέλλον – χωρίς κρίσεις, η ζωή θα σταματήσει. Είναι αδύνατο να μην φοβόμαστε μεγάλες κακοτυχίες και να μην προσπαθήσουμε να τους αποφύγουμε, αλλά αν αυτό συνέβη, δεν υπάρχει τίποτα περισσότερο να φοβάσαι και υπάρχει μόνο ένα πράγμα: “Ζώντας την κύρια ζωή με ολόκληρο τον κόσμο”, σύμφωνα με τα λόγια του Αντρέι Πλατόναφ.
Ποια συμπεριφορά είναι πιο σωστή να επιλέξετε σε κατάσταση κρίσης?
Δεν χρειάζεται να πολεμήσετε με τίποτα, οδηγεί πάντα στο αντίθετο αποτέλεσμα: αυτό που παλεύετε, ενισχύετε, γίνεται ισχυρότερο. Προσπαθούμε να επιλέξουμε τη σωστή λύση ως κάτι καλύτερο, καθώς αυτό που θα φέρει μέγιστη άνεση.
Αλλά αυτό είναι ένα αδιέξοδο-επειδή με οποιαδήποτε επιλογή θα βρούμε οποιαδήποτε απογοήτευση, επειδή το αποτέλεσμα δεν θα συμπέσει με τις ιδανικές ιδέες μας για αυτό. Και η επιλογή πρέπει να γίνει, εστιάζοντας στην δυσφορία που είναι αποδεκτή από εσάς, όπως συμβουλεύονται οι αρχαίοι Κινέζοι – από δύο κακά, επιλέξτε λιγότερα.
Δηλαδή, αξίζει να πάρετε μια κατάσταση κρίσης για ένα δεδομένο?
Εάν αισθανθήκατε ότι η ζωή μειώθηκε, δεν χρειάζεται να αντισταθείτε, θα πρέπει να παραδοθείτε στο ρεύμα της και, με μια συγκεκριμένη έννοια, ακόμη και τα γεγονότα για να περάσετε από το χειρότερο χαμηλότερο σημείο. Πρέπει να θυμόμαστε ότι θα υπάρξει άνοδος πίσω από την παρακμή και κάτι σίγουρα θα έρθει: μια νέα αγάπη, ένα νέο νόημα-και ένα αίσθημα πληρότητας της ύπαρξης θα επιστρέψει.
]]>Ela se tornou uma maneira coletivamente de feminilidade moderna e, ao mesmo tempo, afirma estar longe do romance. É considerado um símbolo da sofisticação francesa, mas se orgulha de sua franqueza e praticidade. Encontrando -se com Audrey Totu, convencido de que uma fada é uma profissão.
“Que engraçado!” – você pensa, observando -a na tela. Afinal, ela tem um presente cômico, ela é uma palhaçada e até em sua misericórdia incondicional, há algo comédia.
“Que sério!” – Você está surpreso ao se encontrar com ela. Afinal, seu rosto de boneco é estritamente. Seus olhos Bambi são atenciosos e exigentes. Seus gestos são disciplinados. Suas mãos sem manicure não se permitem nenhum movimentos extras. Ela raramente sorri, e se ela sorri, é de alguma forma tímida, parece que seu sorriso não estará no lugar. Possui uma longa saia de lona e botas pesadas-uma feminilidade frágil que cria sua tela exclusiva, como se fosse enrolada em um rolo puro e enviado para uma despensa distante da antiga casa francesa. Ela se senta em uma mesa em um café em uma periferia silenciosa de Paris, onde concordamos em nos encontrar, e tira seus óculos de camuflagem e preto e bumbum de algodão preto. Tira uma câmera simples de um carro de bolsa grande. Ah, sim, o agente dela me avisou: Audrey tira fotos de seus entrevistadores como lembrança. Os entrevistadores são mais interessantes para suas entrevistas, isso é definitivamente. É por isso que ela diz, mal olhando para: “Talvez esta entrevista não seja necessária, mas? Você sabe, não tenho circunstâncias especiais de vida, apenas opiniões … ou seja, eventos que alguém estaria interessado em saber sobre mim não aconteceu comigo. Não tenho nada a dizer sobre mim. Eu geralmente vivo e com segurança. Talvez até muito bem. Eu sou algum tipo de europeia média e desinteressante … ”e agora ela sorri aqui. Não é coquete, de jeito nenhum, pelo contrário – abertamente, desarmando. Audrey Toto claramente me avisa sobre o próprio tipo de personalidade: ela é uma jovem da Europa no início do terceiro milênio, ela é sóbria, honesta, direta. Ela fala pura e rapidamente em inglês, nesta “linguagem do globalismo”. Em seu mundo, tudo tem sido resolvido há muito tempo, tudo ocupa seu nicho na propriedade e na hierarquia social, nela, bem -estar -é comum, mulheres e homens são iguais, não é costume demonstrar sucessos ou fracassos. E é por isso que neste mundo uma flor tão maravilhosa e paradoxal – cômica e feminilidade, charme e palhaço – parece um estrangeiro. Ela diz que não tem nada a contar sobre si mesma, porque não tem certeza de que deve contar. É pessoal dela em uma ordem mundial pública totalmente equipada apropriada? Pergunta para Audrey Toto Open. E você deve admitir, há algo triste nisso. O fato de a estrela de cinema de uma nova geração, a garota é adorável e se tornou um símbolo de tudo em francês requintado e ousado, não tem certeza de que ela mesma é interessante para alguém. Este tópico custa, na minha opinião, uma discussão separada.
Psicologias: Depois de Amelie, você se tornou um tipo de símbolo da França. Então eles a representaram para ela no sucesso de bilheteria de Hollywood “Da Vinci Código”. Como é ser um símbolo?
Audrey Toto: No começo – então -so. Não é que eu tenha ficado assustado quando todo esse haste de popularidade inesperada caiu sobre mim, quando você é reconhecido, sussurrando o metrô atrás do meu ombro, parece uma fera exótica em um zoológico, tome um autógrafo em vez de trazer uma salada … eu não esperava isso, então não experimentei um medo, mas um choque. Agora eu cheguei a um acordo. Eu tive que abandonar pequenas liberdades – para sentar em um café na rua, ir ao meu restaurante favorito e simples na minha praça de Pigal, embora eu more no mesmo lugar que Ambiasa e Coda, em meu antigo apartamento. Eu só tinha medo de que o sucesso me cercado de pessoas, porque as estrelas – elas sabem, quase inconscientemente colocavam um tipo de filtro entre si e os outros … mas era mais importante que Amelie fosse necessária para as pessoas. É mais importante para minha liberdade de andar sem óculos e boinas pretos.
Por que você acha que Amelie era tão necessário? Porque ela é uma fada que controla suas vidas?
“Eu duvido a mim mesmo a cada minuto. Mas a dúvida de si é exatamente o que nos desenvolve. Não é assim?”
SOBRE. T.: Porque ela é https://portuguesafarmacia.com/viagra-generica-comprar/ um pouco falsa, porque é uma falsa com Montmartre – uma região negra tão real, suja, um distrito de trabalhadores que carregam o espírito da democracia francesa, independentemente da cor da pele. Porque ela é uma feiticeira infeliz … mas você sabe, o principal é porque temos todas as pessoas, a imaginação é mal desenvolvida. Precisamos apontar para a fada com um dedo como Jean-Pierre fez isso (esposa, diretora do filme “Amelie”. – aprox. Ed.) para que fiquemos surpresos e admirados. Enquanto isso, a fada é uma profissão. Empregada doméstica no hotel, um zelador – eles são invisíveis, mas controlam uma parte importante de nossa vida. Aquele que elabora a programação do trem no metrô – ele também é invisível, fazendo boas ações. Às vezes entro em um hotel no banheiro e penso em quem essa mulher, que rasgou tudo assim. Provavelmente, africano. Ela provavelmente tem filhos. E essas crianças podem ter permanecido na África, em Moçambique, por exemplo. Ela os deixou para ganhar dinheiro. E os chama, e se preocupa com eles. E tudo isso para estar aqui na Europa, ser uma fada para mim. Entendo isso, é uma taxa para “Famia” ..
SOBRE. T.: Só não – eu apenas tento olhar para trás da fachada! Veja o que está escondido nos bastidores. Meus pais sempre insistiam: você precisa entender o que está acontecendo ao seu redor. Sempre, em todas as circunstâncias. Eles me ensinaram a ficar de pé. Nesse sentido, eu realmente “condensado” de francês – em mim, pragmatismo e normas de comportamento na vida são muito fortes em mim: sempre trabalho, não espere por uma recompensa, seja honesto, constante em sentimentos, não para se entregar às minhas fraquezas. Isso está no meu sangue. Pense por si mesmo: sou criado em uma família de dentista, este é meu pai e mãe-professores, além disso, cem por cento francês. Posso ser diferente? A frase mais lembrada da infância – Mãe: “Audrey, endireite -se”. Mamã. E certo. Mesquita é um personagem. As costas retas são um testamento. Eu, mesmo acreditando em Deus, não confio nele. Eu moro a mim mesmo. Todas as minhas fadas vão trabalhar e obter um salário. Mas sério … depois de Amelie, minha irmã e eu fomos para a Indonésia. Eu viajei um pouco mais cedo, mas depois vi genuíno exótico. Acabou sendo especialmente exótico para mim como as pessoas experimentam o aterrorizante, do nosso ponto de vista, pobreza lá. Eu vivo muito bem para não sentir responsabilidade por isso.
Talvez constantemente sinta a responsabilidade por você porque você era o mais velho de uma família com quatro filhos?
SOBRE. T.: Talvez sim. Eu era o mais velho, e foi que foi a própria natureza que atribuiu uma responsabilidade para mim – pelo menos eu não deveria criar problemas para meus pais. Não houve escolha – sentir essa responsabilidade ou não, porque eu consegui o papel do mais velho por nascimento.
E a falta de liberdade nesse sentido não sentiu?
SOBRE. T.: Isso é estranho – eu nunca me sinto sem liberdade, porque sempre insisto em grátis. A necessidade de liberdade é minha principal necessidade. Talvez seja por isso que o mais próximo de mim das minhas heroínas é Chanel de Coco a Chanel. Essa mulher cem anos atrás, quando não havia sequer a própria idéia de liberdade de escolha feminina, insistiu em sua independência. Ela se recusou a cumprir as fundações públicas, convenções. E, tendo lançado seu talento, através da moda, através de roupas, uma coisa tão superficial, começou a libertar outras mulheres! Depois de oferecer uma mulher para experimentar uma fantasia masculina, ela mostrou a ela que você pode experimentar o mundo masculino, o mundo dos negócios e a independência! É incrível, você não encontra? E era do pragmatismo-due ao fato de que Chanel era mais fácil de corresponder a si mesma, e não aos cânones externos-ela fez um avanço tão inovador. Aprecio o pragmatismo, mesmo tão peculiar na aparência. E assim que eu cair na euforia, a vida imediatamente me dá no meu nariz.
E como são esses golpes no nariz?
SOBRE. T.: Comic, como regra, está bem. O mais indicativo – quando me formei na escola. Eu sempre quis ser atriz, mas papai e mãe me convenceram a entrar no Philfak: você tem que obter uma educação normal!
Eu concordei. Mas no final da escola, meus pais me deram uma assinatura para participar de cursos teatrais em Paris. Apenas algumas semanas, mas em Paris em si! E então minha mãe e eu vamos, não tenho dezoito anos, estou encantado com tudo. E especialmente de quantos mulheres mais bonitas e charmosas vão onde moramos. Loiras altas e irresistíveis, não como eu – uma altura de 160 cm e alguns olhos! E eu acho: Paris é a capital de tudo perfeito, porque há tantas mulheres incríveis! E eu vivo com essa ideia, e com um sotaque desagradável: o que posso contar quando há tanta beleza feminina … e somente no final dos meus cursos, de repente descobri que moro ao lado de três agências de modelagem! E, portanto, os modelos passam pelas ruas aqui! Isso foi um choque!
Seu aumento do senso de responsabilidade não interfere nas relações com o sexo oposto?
SOBRE. T.: Normalmente, não estou falando de vida pessoal, porque quero manter alguma liberdade depois de mim … pelo menos aqui … Veja, não é minha responsabilidade, mas que eu mesmo sou em certo sentido … garoto. Eu gosto de assistir rugby e futebol na TV. Eu dirijo um carro como um homem. É mais fácil para mim fazer o que planejar e discutir planos. Agradeço mais experiência cotidiana do que arte. Estou falando sobre sexo. Eu estava quase indiferente às roupas-senti algum gosto apenas recentemente, quando meu trabalho começou a se aproximar do negócio da moda: o papel de Chanel, eu sou Chanel No. 5. Mas ainda assim nunca vou comprar roupas caras – é apenas uma pena … eu não preciso ser protegido. E eu nunca recorrer a todas essas táticas de sedução. Eu sou bastante direto e prático. Às vezes interfere. Afinal, de fato, os homens são românticos que as mulheres. Eles acreditam no papel prescrito pela natureza para representantes de diferentes sexos.
E você acredita em seus papéis, coloque -se no lugar de suas heroínas? Poderia amar uma pessoa idosa, como sua jovem heroína no “salão de beleza” Vênus “?
SOBRE. T.: Estou longe da introspecção e as heroínas não tentam em mim mesmo. Mas eu gosto dessas pessoas em Vênus. Ele viu nela não uma boneca de um cabeleireiro, não um estágio, não uma jovem em busca de um parceiro e apoio. Ele a viu nela, apenas ela, sem nenhuma função e contexto social. E ela viu nele não um cliente rico e não um contêiner em potencial. Ou seja, ele, com sua sede de vida. Se eu conseguir ver uma pessoa, ele mesmo, e apenas ele, os diferentes incessivos têm um assunto – idade, lugar na sociedade?
E você acredita no casamento?
SOBRE. T.: Mas eu não sou casado. Tirar conclusões.
E no amor sem fim que não depende do tempo e dos testes, como o seu Matilda em um “longo engajamento”?
]]>Unnecessary educational activities are ongoing. True connoisseurs know about this, neophytes are unlikely to remember, but your humble servant, one way or another, will tell. In general, with those who did not run away after such an introduction, again I and my paired wheels.
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We have a funny habit: in a positive way among any objects or phenomena, we usually distinguish two of them. They are “the best of. “And” The first of. “. That is, we praise the one who was the first to come up with something “like”, and the one who later brought it to his mind (because it is almost impossible to build something first, leaving no space for further refinement with a file). Actually, what leads to? And among my favorites, called in different sections of the population with buckets, bricks, gluttors or oil-kars (not “muscles”, but “oil”-learn the terminology and do not disgrace it), because there was also a pioneer. And now for Auto … k-km … Avtolyubov everything fell into place: I will broadcast you about Pontiac GTO.
Imagine the situation: 1964, for some 20 years, you live in the United States of Democracy, and it somehow has happened that you can’t order an expensive sports car from mossy Europe, and you want to hardly quickly wheeled the streets. What to do? In the best case, to poke around in the garage, collecting a hot-rod, and if your hands are of deviant origin-sob from hopelessness.
However, Pontiac has already matured a plan https://gamblingdata.net/casinos/casiplay-casino/ for the transformation of someone else’s assault in completely, its money. And this plan was to pump up the unremarkable Tempest coupe with steroids. What? And all. So easy everything is brilliant. However, it was, of course, a damn thing, of course, was just.
And it was not even in the technical side of the matter. It was easy to increase the dimensions of the already large motor compartment so that it contains a 6.4-liter V8, which was to soon become an object of worship. It was difficult to deceive the GMC, which at that time determined the standards of the construction of cars, and among the postulates of which it was: “May the engines powerful in the rogue cars will not fall” or something so. Absurd? Of course, but what to do? And at this stage, they deserved Pontiac eternal honor and respect. They got out of the position elegantly: the engine, which was supposed to make a 350-horsepower magnet for women from grandfather’s compartment, was simply screwed as an affordable option with some improvements and an additional payment to some unfortunate 300 evergreen.
Thus began the era of oil-karov. Although it is strange to call an era for a decade and a half, but by the number of events that occurred during this time in the automobile world, it is quite fair. For comparison, remember how long ago the lineup was updated? How long known to you the model has experienced restyling? Now, come to terms with the grayness of our time: then restyling took place a year after the release of the model, and it itself completely and completely changed two later. That’s where you have gathered you, not distinguishing Charger ’69 from Charger ’70.
It did not bypass it and a miracle from Pontiac. GMC, evaluating the idea and looking at the sales figures, revised her policy regarding available sports cars, and swept … GTO was saved from Tempest, ceasing to be its option, receiving its own chassis and body. The latter, by the way, also became the legislator of fashion. The famous “Form of the Coca-Cola bottle”, which flaunted all the oil-kars, was originally a visiting card GTO. Speaking of the name. It is uncharacteristic somehow for Americans to just take and call cars with some strange letters. So, this time it was done intentionally: “Once to give a powerful heart to the car, then to reward the appropriate name,” they decided in Pontiac and copied the Italian abbreviation Gran Turismo Omologato in the fastest versions of Ferrari.
The latter, by the way, went on the first number: the very first and best advertising moves that stimulated sales was the study of the then second -rate magazine Car and Driver, which was compared by GTO Italian and GTO American. And they humiliated Ferrari on the track in full, because Pontiac gave reporters for experiments sports versions of the coupe. And the scribblers are happy to try: they held all the measurements, published the results, and the revolution happened. The car concern in the blink of an eye was enriched, and the magazine became popular (which, by the way, remains today).
Why, if everything was so good, we do not see those same oil-kars on the streets, and their “great-grandchildren” began to be what they were recognized as fought-the lot of the elect? And because the year 1974 happened, and fuel ceased to cost a penny, the ecology suddenly began to excite everyone, and the insurers had statistics on the death of adolescents behind the wheel of high-speed “cruisers”. And these three circumstances were more than enough to put an end to the history of “cars with muscles”. By that time, the GTO had found a 7.4-liter engine, the supply of forces rolled up to the four hundred, and the popularity did not think to fall, which is why the whole situation seems only offensive.
Later, companies began to play on the nostalgia of motorists. New “Mustangs” began to appear, resurrected Camaro, after them Dodge were discouraged by the restarting of the Challenger model, and Pontiac had already failed several attempts to breathe life into the legendary name and had been in place forever, being one of the appendages of a bankrupt GMC. A sort of allusion to the “short but bright life”.
Although if anyone is familiar with the history of this company, he perfectly understands that I am dramatizing. There were also Firebird, Trans Am, Solstice, but, you see, nothing can compare with that magnificent idea, impregnated with youth, enthusiasm and craving for adventures to all available places that Pontiac embodied in metal in the distant 1964. The idea that cost all the years of the company’s existence marked the beginning of the new era of the automotive industry and gave people like me a lifelong supply of aesthetic pleasure. Not for nothing, the abbreviation unusual American ear was adapted shortly after the release of the car, turning it into Goat. And hid under the “goat” the honorary title “The Great One of All Time”.
Do not be afraid to create, bring something new to your and other people’s lives, and even more so to take risks in the process. Such will be a highly moraine part of my today’s greed.
I take a break.
As always, I was glad to try for you and
Thank you for your attention!
Hej, kära läsare av SG -bloggar! En ny utgåva av vår blogg har släppts idag, och jag hoppas att det kommer att bli mer intressant än det föregående. Vi har ett nytt avsnitt som leder Stalker124. Han kommer att prata om helt nya flash -enheter och ge en bedömning enligt sin åsikt. I allmänhet – läs vår blogg från början till slut!
Vad är intressant i nätverket enligt yttrandet Alexrestart
YouTube, men med ett starkt förändrat gränssnitt och hantering. Det är helt enkelt en skärm där både kontrollelement och en videolista och video i sig finns. En av fördelarna är också att om du kör webbläsaren i fönstret, justeras videon automatiskt till storleken på webbläsarfönstret. Också en video från en spellista eller en lista över hittade ändringar automatiskt.
Ovanlig online -ritning, där det inte finns några banala borstar, sprayer, etc.
En lista över ovanliga verktyg utfärdas som beror på markören endast indirekt. Till exempel snurrar en av borstarna runt musen. Andra (men som en knapp) flyger bakom markören och när LKM trycks in finns det ett spår bakom dem, och många andra.
Om du saknar de gamla spelen på Dandy, Segu, bär, men du inte vill ånga med emulatorer, kommer du att gilla den här webbplatsen. Det finns en hel del spel på det, som kan spelas direkt “på plats”.
Detta är en online -synthesizer som gör att du själv kan skapa musik och på ett ganska enkelt sätt. Vi har 8 fält, som var och en är ansvarig för sitt ljud. Noterar cellerna på dessa fält och uppnår olika ljud.
Allvarliga saker från Stjärnfrank
Webbplatsen är ett slags avsnitt av den officiella webbplatsen vid Moskva State University. Lomonosov och är släkt med psykologi. Här presenteras för offentlig visning och studera många “visuella illusioner och fenomen”, “som anges enligt hyllorna”. Se hur bilderna som plågas i utseende kommer att vilseleda dig, eller fokusera din uppmärksamhet inte på objektet som du ignorerar. Ta en titt på världen å andra sidan!
P.S.: Det är också möjligt att Luckicasino.se ladda ner några illusioner till din dator
Denna webbplats är en författares projekt av en amerikansk konstnär, designer och animatör Patrick Smith. Här kan du bekanta dig med en underbar vektoranimering och interaktiv. Detta innebär att med hjälp av en mus kan du interagera med olika och i de flesta fall ovanliga föremål på skärmen. En viss sekvens av sådana åtgärder leder till ett extremt roligt resultat. Webbplatsen har också ett ganska intressant spel, helt byggt på sådan interaktion med omgivande föremål. Eller så kan du helt enkelt beundra den vanliga animationen som har en lugnande effekt.
En enkel och samtidigt fascinerande flash -spel om hur “hur grå vardag, ibland uttråkad och vill komma bort från mänsklig krångel”. Spelet bygger på att huvudpersonen samlar bonusar och övervinner hinder, MEN gör detta under rytmen av musik som förtjänar särskild uppmärksamhet. Ett trevligt och underbart ljudkompagnement skapar en obeskrivlig atmosfär, och den ändras från nivå till nivå. Det är oönskat att spela utan ljud, som i början är ett otvetydigt antydande på själva spelet.
Enligt skaparna av denna webbplats kan vi här lyssna på ovanliga ljud, och inte någon form av fågelsång på morgonen (vilket också är underbart!), och de mest verkliga ljuden från det mystiska kosmos, som inte skämtar, väcker blodet! Signaler av satelliter, “andning av planeter” och ungefär som ..
På webbplatsen kan du också hitta mycket intressant information om olika kosmiska expeditioner och beundra underbara bilder på samma otroliga kosmiska tema! Det är önskvärt att kunskap om engelska!
Ny!Posulki från Stalker124!Ny
Mycket rolig parodi på glödfönster. Det finns allt här Mike-Soft Corporation, problemfri regim. Det finns också möjlighet att straffa datorn 
Kvalitet: 85/100
Spelet är tillägnad alla älskare av parkering och idrottsmän
Du arbetar som parkeringsspelare på en igensatt parkeringsplats. Du måste noggrant parkera och inte skada andra bilar (du kan föreställa dig hur mycket de är värda det :)) och detta måste också göras i tid!
Grafiken behagar ögat, handlingen är inte som sådan, men spelet är fortfarande fascinerande.
Bedömning: 90/100
Ett annat spel om Killer Winnie. Den här gången går vi till bilar och bär en resväska med pengar med oss. Men tydligen behövs det inte bara av oss. Någon jagar oss ständigt. Till att börja med åker oljebilen bakom oss, sedan sopbilen (jag undrar hur han tog upp oss) och allt upprepas.
Spelet är i princip intressant, men handlingen upprepas, jag spelade inte på länge
Bedömning: 65/100
Tack, Utgivningen är klar på detta fram till nästa nummer!
Plats från Ilyazister
Nyligen började sökmotorer på bilder multiplicera som svamp efter regn. Men vad jag hittade nu är en riktigt högkvalitativ produkt. Den största skillnaden från andra är att du kan rita din bild här, och den är väldigt bekväm. I allmänhet är produkten bra, du bör ta.
På denna webbplats föreslås att du skickar ett brev till framtiden gratis. Idén med webbplatsen är ny och intressant. Föreställ dig: Efter 20 år kommer ett brev till dig där du fortfarande var väldigt liten
Jag kommer att vara nöjd :))
Det finns inget ovanligt på webbplatsen, men om du klickar på en mås, kommer du att se en animation om … i allmänhet kommer du att se det själv
Tydligen är kunden mycket djärva skaparen av webbplatsen som han satte den där ..
Varje minut förekommer terroristattacker, brott och mord på jorden. Detta kort övervakar dessa åtgärder och sätter det på sitt kort. Dyker upp och sedan kan du se vad som hände ..
På detta slutade vår blogg. Jag vet inte när
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En ny uppsättning i laget börjar snart! Vi behöver aktiva redaktörer!
(Det fanns en flash -spelare, men sedan 2020 har Flash inte stött av webbläsare)
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